The work of Portishead co-founder Geoff Barrow, this scabrous if undernourished debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) first robs an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's overturned in the wreckage of his car in a forest – and subject to the angry eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to free himself from his seatbelt, while clumsily segueing into past scenes of his everyday life. The central theme – that the rave-era youth were primarily out for themselves – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a darkly funny duel unfolds – David eager to get away; the Poacher denying his container of scrumpy, determined to soaking him instead in embittered discourse. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Vibe
Just a single key story turn, but it results in a comically executed rampage on the forest trails that dips close to folk horror. Director John Minton finally gets to go all in with his showy imagery: where he was focused intently doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into making the leap from the Brit music promo scene.
The film is in UK and Irish theaters from 17 November.
